Please join me for lots of layers, paper scraps, water soluble techniques, blending, smudging, colour, and some tips on composition as we go through the process of creating an art journal page.
My art journal is where I can do anything I want. I don’t have to ask if it will sell or even express my Greatest Creative Vision. It is just for the heck of it and it is a great joy to just play around with bits of whatever. And stuff. Today I am going to explain some of the whys and ways I choose what goes on a page and what comes after that.
While almost everything on this page is from the scrap pile, I do use Derwent Chunky Graphite Sticks to pull it together at the end. (I use these A LOT.) You can find them here:
I also use a Caran d’Ache Technalo watersoluble graphite pencil. See them here:
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I am deeply attracted to rust-dyed papers and enjoying reading about the technique. It usually seems to involve different combinations of tea, rusty stuff, paper bundles, and a cauldron, and I don’t have room for anything remotely that big, even in my studio, which is a scant 98 square feet and filled to the rafters with ephemera and tea cups. Recently, however, I found a method of dying papers that, while it lacks the eerie depth of mark-making with rust, it is pretty darn lovely; also simple and quick, which makes for near-instant gratification.
Ink (I use a variety of fountain pen inks and homemade walnut ink)
Medium to heavy weight paper or cardstock
A water mister
Ink, Sponge, and Mister
These pages are to be used for a sketchbook. Rather than cut them to size, I tore them, using a ruler as a straightedge. This torn edge is pretty as it mimics a deckled edge, and it absorbs the ink.
Tearing the Edges of Paper
Dip the sponge in the undiluted ink, then dab the edges of the page around all sides.
Now spray the page with the water using your mister/spritzer. Start with the edges, turning the page as you mist. When you [read more]
I have been working like a bandersnatch lately. Altered books, atlases, paper art. Book [read more]