Vintage Paper Co is one of my favourite sites for drooling over. Based in Scotland, they source hard to find handmade paper, both vintage and contemporary, as well as hand decorated paper for fine art, handmade sketchbooks, and journals. As the owner William says, “We do not sell things that are readily available from other paper merchants or art stores because what’s the point? There are businesses out there who do a brilliant job doing this and I genuinely respect what they do but I don’t want to do that.”
Earlier this year, Vintage Paper Co published a super handy glossary of paper terms to help readers and shoppers understand some of the finer points and terms used to describe their wares. If you are like me you probably pretend to understand more of these than you actually do and paper is my full time job. William was good enough to allow me to repost it, so consider the glossary below a crash course in everything you need to know about paper phraseology. Then go check out his delightful site and their inspiring wares: https://vintagepaper.co/
ISO range of paper sizes
The degree to which paper takes up an amount of liquid, measured by a standard test.
Free from any acid content or other substances likely to have a detrimental affect on the paper or its longevity
Dried with hot or cold air; usually applied to loft drying. A term used for high quality papermaking.
A paper additive (such as calcium carbonate) that is used to counteract acidic components within a paper or from the environment
A complex salt, most commonly aluminium sulphate, added with rosin to the pulp while it is in the beater as a sizing agent to impart a harder and more water resistant surface to the finished sheet; it also acts as a preservative, and as a mordant for fixing colour.
American National Standards Institute.
A general term applied to the surface which imitates the laid character of an old sheet. Today the term is often used to denote a rough finish
A term loosely used to indicate paper with long lasting qualities, acid-free, lignin-free, usually with good colour retention.
ISO range of papers designed for such items as wall charts and posters
The inner bark of plants such as flax, hemp, gampi, mitsumata and kozo, separated from the outer bark and suitable for papermaking
A machine which alters or modifies the properties of fibres.
hand or mechanical maceration of fibres to modify their characteristics and prepare them to become pulp
A general term for thick, stiff paper over a certain weight; on average 250 – 300 gsm.
The ability of fibres on the surface of the paper to adhere to one another and to others below the surface.
Paper’s ability to reflect white light.
The tendency of paper to crack or break when bent or embossed.
An alkaline substance usually calcium carbonate occurring naturally in a water supply or added by the papermaker to help counteract acidity in paper.
The volume or thickness of a paper in relation to its strength.
ISO range of sizes for envelopes
A [igment, which can be used as a filler, a white coating substance and a buffering agent
The process of pressing paper though roller to increase its surface smoothness
The thickness of a single sheet of paper measured with a micrometer.
The basic substance of papermaking; the main part of the cell wall of a plant. Cellulose fibres are not pure enough (except for cotton) to be used directly for papermaking but contain varying amounts of other material, including lignin from which they must be separated before use.
Heavier, more widely spaced lines which run at right angles to lines on the surface of a liad mould. The term is derived from the chain-like stitch used to hold the wires in place.
Wood reduced to pulp by a variety of chemical processes all of which involve the cooking of the fibrous raw material with chemicals in order to extract the cellulose fibre; the most common are the sulphate (kraft), sulphite and soda processes. The resulting pulp is purified of lignins and other undesirable constituents.
A filler or loading agent used to obtain opacity, or fill or coat the surface off a sheet.
Paper coated with china clay or other filler to give a smooth surface making it suitable for the printing of fine detail.
Wavy edges caused by unequal expansion due to paper being damper or drier than the atmosphere.
Cold Pressed (CP)
A traditional textured finish to the surface of handmade paper
Unwanted pieces of material which have become embedded in the sheet such a dust or hairs.
Cotton is the purest of cellulose produced in nature and it requires the least amount of processing before it can be used for papermaking.
The action of transferring a wet sheet of pulp from the mould onto a damp felt; a specialized action performed by a coucher. From the French coucher, to lay down, hence its pronunciation, ‘cooch’.
Part of the traditional papermaking team of vatman, coucher and layer, whose task was to couch the newly formed sheet prior to pressing.
A generic term usually indicative of a strong coloured paper suitable for the soft cover of a book; usually heavier than the internal sheets.
Paper cut across at right angles to the direction of the paper machine. Paper is weaker and expands more along the cross direction than along the machine direction.
The maturing of paper for an amount of time, before packing and selling.
A curl caused by unequal shrinkage which develops when the moisture content of the paper is changed by the atmospheric conditions or when the paper comes into contact with the moisture of a process such as direct lithography.
Paper dried by being passed over a machine containing heated cylinders; the term is used to distinguish it from loft-dried.
cylinder mould machine
The machine used to produce mould made papers
A large hollow cylindrical roll covered with a wire gauze used on a Fourdrinier machine which rotates over the web of wet paper as it is being formed and applies surface finishes such as special textures or imitation laid lines or watermarks to machinemade papers.
The removable wooden frame that fits over the mould to contain the pulp; it also helps to keep the hands away from the fragile wet sheet. The inside measurement establishes the size of a handmade sheet. A Western papermaker’s equipment includes two moulds to every deckle so that the process of papermaking can be continuously performed. A deckle strap on a machine controls the width of the web.
The wavy, feathered or ragged edge on four sides of a sheet of handmade paper caused where the pulp seeps under the deckle frame during formation. Also found on mould made papers on the two outside edges of the web.
A substance which disperses fibres and prevents them from entangling the pulp; in Japanese papermaking, neri.
The percentage of stretch or shrinkage caused by a given change in the relative humidity or moisture content in the air. It is a measure of the paper’s tendency to misregister especially by becoming wavy edged.
The yellowing of a white paper due to influence of heat, light, air, presence of impurities – especially lignin, iron, alum etc. Good handmade papers will discolour very gradually if at all.
A mould with a secondary supporting wire underneath the formation surface.
Water-soluable colouring agents which usually penetrate and become attached to the fibres.
A relief surface imparted either to flat paper in sheets or reeled paper by passing it between ambossed rollers bearing the required design.
Strong paper used for securing the body of the book to its case.
Resistance of colour to fading
Also called blanket. A rectangular sheet or absorbant woven material usually of wool, cut larger than the paper, onto which newly formed sheets are couched. Various grades exist to give particular surfaces to the wet sheets.
A finish to the top surface of paper created by the texture of the felt; often with a special weave.
A mark in the paper caused by the impression of a defect in the felt such as a worn patch.
The top surface of the pulp, as distinct from the wire side.
Cellulose-based material derived from plant matter which forms, with water, the basis of a sheet of paper. Papermaking fibres are hollow tube-like structures with walls made up of thread-like ‘fibrils’.
The process of raising the fibrils from the surface of the fibre so that bonds will form between them as paper is being made. This occurs during the beating process.
A substance such as china clay or calcium carbonate usually added to the beater which will fill in the pores of a fibre and change the opacity, weight and surface of the finished sheet.
A general term for the various surface textures of papers and boards. Rough, NOT, Cold Pressed and Hot Pressed are traditionally given to handmade and mould-made papers.
The practices of drying, sizing and looking over sheets of paper when the making is complete.
The fibre distribution throughout a sheet, observed by holding it up to light. A uniform distribution marks a good sheet formation.
The standard type pf machine on which paper is made at high speed in a continuous web. Sheets produced in this way are called ‘machinemade’.
An accumulation of iron, copper or biological organisms in paper (iron is a common impurity in older papers) which forms rusty brown spots under damp conditions.
US term for ‘woodfree’ paper. A paper made with chemical pulp that is processed and bleached to remove liginin and other extraneous compounds.
The substance from which the paper is made; the ingredients of the beater which gives a specific type of paper.
A type of sizing agent obtained from animal tissues, which is applied to the surface of paper to make it impervious to water and to aid resistance to bleeding during printing.; it also imparts surface strength to watercolour, writing and drawing papers. Gelatine sizing can affect the colour to some degree.
A process used to create a smooth surface finish on paper; tpically achieved by running dried sheets through steel rollers or between polished zinc plates, or by pressing or friction.
A perfect sheet
When used on its own, another name for a sheet of paper.
The alignment of fibres in a sheet of paper caused by the flow of the web of wet paper in a cylinder-mould or Fourdrinier machine; long grain is when the fibres run in the machine direction, short grain in the cross direction.
The weight of the paper and board expressed in metric terms as grammes per square metre.
US term for mechanical pulp
Pulp made from deciduous trees such as oak, beech, birch and eucalyptus.
hot pressed HP
One of the traditional surfaces of handmade paper. Today this term denotes the smoothest surface achieved by passing sheets between heavy metal boards or rollers (occasionally heated).
A process occuring during beating in which the bruised fibres begin to accept water more readily.
A large-sized sheet of 762 x 559 mm (30 x 22 in).
Very thin, high quality, opaque rag paper often used for printing bibles.
The perfect internal sheets in a ream of paper.
Range of paper and envelope sizes established by the International Standards Organisation including the A, B and C series.
A mould in which the cover is composed of closely spaced parallel wires (20 – 40 per inch/25.4 mm) held in place by more widely spaced wires worked in the perpendicular direction (chain lines) which produced laid paper. Alternative to a wove mould.
Paper that is made on a laid mould. Ribbed lines are seen if held up to light.
Paper of the traditional papermaking triumvirate. The layer works in the vat house removing wet sheets from the felts after a post has been made and restacks them into packs for further processing. The person who sorts the paper and eliminates defective sheets.
The substance found mainly in woody plants which rejects water and resists bonding and therefore must be removed from the fibres before the papermaking process begins. If it not removed the resulting paper deteriorates quickly.
see embossed finish
see cotton, rag.
The process by which clumps of fibres are released from the paper surface during printing due to the tackiness of the ink, especially in lithography.
The traditional manner of drying handmade sheets in a specially ventilated loft by natural evaporation. Sheets are hung singly or in groups (spurs) on drying lines or laid on flat canvas trays.
The direction in which fibres lie on the wire of the papermaking machine.
Paper dried by being passed over a machine containing heated cylinders; the term to distinguish it from loft-dried.
To allow handmade papers to settle for a considerable period before use (weeks or months), a process which greatly improves them.
Wood pulp produced mechanically by grinding.
A term applied to an antique finish if the laid lines are very pronounced or irregular.
Weight expressed as grammes per square metre
Amount of moisture in paper expressed as a percentage of weight
A substance used to fix dye to a fibre.
The basic tool of a hand papermaker, consisting of a flat frame to which a mesh of brass wires or a woven cloth is fixed.
Paper made on a cylinder-mould machine
Short for ‘Not Hot Pressed’. One of the traditional surface finishes of handmade paper (between Hot Pressed and Cold Pressed), produced by passing between felts. Sometimes called Cold Pressed in the US.
The quality of opaqueness in a paper, produced by adding ingredients such as china clay, calcium carbonate or titanium dioxide (opacifiers). Governs the degree of show-through of printing on the reverse side of a sheet or on sheets underneath.
Very badly damaged sheets also termed ‘broke’. These are seriously defective handmade sheets traditionally used as packing at the top and bottom of a ream to protect the good sheets (insides) and sold at a much reduced price.
This is a broad term for a number of trees from whose inner bark paper is made; Broussonetia papyifera is probably the most widely used; in Thailand it is called saa, in Hawaii wauke and in Japan kozo.
The pH value describes the acidity or alkalinity of a paper; it is a measure of the availability of free hydrogen ions. 7 pH represents a balance between acid and alkaline components and is neutral.
The phenomenon whereby individual fibres are lifted from the surface of a sheet during printing when ink tackiness is stronger than the paper surface.
Single layer of paper or board; can be joined to another for strength, producing 2-ply, 5-ply etc.
A pile of wet sheets alternated with felts ready for pressing
A general term used to describe treated fibres suspended in water from which paper is made.
A twentieth part of a ream; today a quantity of 25 sheets of paper. This is a peculiarly English measure, possibly relating to a time when counting was done in dozens (an old quire = 24 sheets); the two quires used to wrap a ream comprised 20 sheets each.
Formerly the principle raw material used in the papermaking process. The term ‘rag’ or ‘all rag’ properly describes a sheet made entirely from used textiles (usually cotton) as the basis for the pulp; today however more commonly it is a misnomer and indicated that the paper has been produced from cotton linters. The term ‘rag content’ describes the amount of cotton fibre relative to the total amount of material used in the pulp.
The sound produced by shaking a piece of paper, indicating the hardness of the sheet.
The old word for quantity of paper. Traditionally it comprised 472 sheets (18 quires of 24 sheets plus 2 ‘outsides’ quires of 20 sheets), although the number varied depending on the use that the paper was to be put to (e.g. a printer’s ream was 516 sheets). Today taken to refer to 500 sheets of good paper.
A general term for fibres recovered from waste paper.
relative humidity (RH)
The amount of water vapour present in the atmosphere expressed as a percentage of saturation, measured with a hydrometer.
Sheets dried under some form of restraint, i.e in a machine (cylinder or machine dried) or on a drying board.
From the french retire, ‘withdrawn’. Handmade sheets with minor faults, sold at a reduced price. A ream or retree can be identified by the marking of a double cross, XX, or the letter R on the wrapping paper.
The traditional manner of rotting down fibres in preparation for the beater. Rage were heaped in piles to ferment, which involved letting them heat up and begin to rot.
A commonly used internal sizing agent; occasionally also used for surface sizing. Introduced around the early 1800s, it is acidic in nature and detrimental to the permanence of paper. It requires the addition of alum for precipitation onto the fibres.
One of the traditional surface finishes of handmade paper; a rough surface properly obtained by loft-drying in natural air.
The covering of the mould
The term used today to denote imperfect sheets. See also retree.
A piece of manufactured paper
Specks of impurities in the raw fibre discernible in the finished sheet.
An area of mesh supported by a frame; in the papermaking process liquids pass through the mesh but solids are kept back.
Chemical or chemicals used in papermaking to control the absorbency of the paper. Also means the dimensions of a sheet of paper.
A solution or the process of applying such a solution intended to make paper moisture-resistant to varying degrees. Size can be added at two stages of the papermaking process. In internal sizing (also called beater or engine sizing) size is added to the beater. In surface sizing (also called external or tub sizing) dried papers are passed through a solution of gelatine (or glue, casein or starch) traditionally contained in a bath or tub; surface size can also be applied by brushing or rubbing. The term animal tub sizing denotes surface sizing with gelatine.
Deep blue pieces of glass pulverized and used as a colouring agent.
Essentially the surface flatness of the paper. It is not the same as gloss and is not related to porosity.
Pulp made from softwood such as fir, pine, spruce.
Also called custom making. A paper made specially for a client; not part of a maker’s standard range.
A group of sheets dried naturally together.
a set of large water-powered wooden hammers falling into stone troughs containing raw fibres such as rags. Superseded by the Hollander beater.
A series of paper regularly produced by a manufacturer.
Also called furnish. The dilute prepared papermaking mixture in the vat; this includes the water, treated fibres, formation aids, sizing agents etc.
Standard paper regularly available for sale. Different from ‘paper stock’ which means the chosen paper to be printed.
The beaten fibres in water before being finally mixed for papermaking.
The weight or grammage of a sheet of paper expressed in gsm of lbs per ream.
See chemical pulp.
The surface character of a sheet of paper, described in terms of its texture e.g. Rough, Cold Pressed, Not or Hot Pressed, burnished, hammered.
The surface detail or finish of a paper, which can be a natural result of the quality of the pulp, processing or drying or a contrived result.
Describes the surface texture that grips a drawing pigment.
A tub or vessel that holds the wet paper pulp
Part of the traditional papermaking team with the coucher and layer; the vatman is the papermaker scooping the pulp from the vat to form the sheet of paper.
The prepared inner side of a calfskin or kid skin. Also a paper surface which imitates true vellum, notably any matt wove type, often used to describe mould made (in French, velin) and Japanese papers.
Fibre used for the first time to make paper (i.e. not recycled)
Used to describe a paper that contains no sizing and is therefore generally very absorbent. These papers are often used in printmaking where oil based inks are used.
A translucent design in a sheet of paper that can be viewed as a paler area when held up to light. Typically watermarks are linear, formed in wire.
Continuous length of paper (a roll or reel).
A quality of a sheet of paper expressed in a number of ways. Imperially in lbs weight per 500 sheets (ream), metrically in gsm, microns and ply refers to boards.
The strength of a finished sheet of paper when it is saturated with water.
The underside of paper in contact with the mesh during making, as distinct from the felt side.
A mould in which the the covering screen is made from a woven mesh. Alternative to the laid mould.
Paper made on a wove mould, invented by J Whatman.