Book and Paper Arts (page 12 of 15)

Gladys Cooper Vintage Postcards for Downloads

I am obsessed with old books, old clothes, and boy, am I ever obsessed with old movies. (I met my first husband at a silent movie double feature, so there.) One of my favourite stars ever is Gladys Cooper. She is best known as a renowned character actress in the 1940s at Warner Brothers. She starred opposite Bette Davis in Now Voyager (as the oppressive mother) and in Separate Tables opposite Deborah Kerr (as the oppressive mother). She was also in Alfred Hitchcock’s Rebecca as the really sweet sister to Laurence Olivier. What is less well known is that before all that she was a Great Beauty, when such a thing was a career.

Yesterday I hit the motherlode of Gladys Cooper postcards from her babe period. If you would like to use any of these for crafts or art journals, just right click on an image and click “Control C” then go to Word or Paint or whatever program you use for images and press “Control V.” If anyone would like a larger resolution, please contact me directly and I can send you a larger image. Enjoy!

To read a dishy biography of Ms. Cooper with clips from her films, go [read more]

Distressing Paper with Tea and Coffee

Sometimes you have to spend good money for art supplies and sometimes – you don’t. For instance, you can get a lot of beautiful, mysterious, and dramatic effects with leftover tea and coffee for free.

  • Tea stained pages. Simply soak pages in strong tea (I use double the tea bags for a heavy brew) for a few minutes for a pale shade or overnight for a deeper patina. If you rotate the pages while still damp, the tea will travel over the paper and then pool in different parts so that the staining is irregular. This can also be done with coffee.
  • I prefer to get a light, parchment colour with tea and then use coffee for mark-making. While you can use it straight out of the pot, I always take the day’s leftovers and leave them in an open container overnight. The water evaporates a little making an even stronger brew. (I actually let my coffee evaporate for several days. It is not always intentional – I just get behind on stuff and it sits there waiting for me, getting darker and darker.) You can also use instant coffee and make it even stronger.

Recent Altered Books

And here are a batch of altered book covers from late 2017. Most incorporate original 19th or early 20th century images and handwritten letters and postcards from France, Switzerland, and the U.K. Click on an image to [read more]

Tea Bag Art Tips

Boy do I love using old tea bags in art. There is something mysterious about the translucent layers they make. Added to paper or other substrate, they look like parchment or linen, while allowing any text or image underneath to show through. Here are some suggestions for using tea bags in your art, collage, scrapbook, or other mixed media projects.

Layering, layering, layering. Brush your glue medium of choice onto the tea bag and place it on the surface you are working with. Bunch it up here and there for added texture. You can then paint or print over that. Or not.

Rubber stamps. You can get some dramatic effects that look like a tiny print on parchment that you then add to paper or board.

– Guess what doesn’t work. Stencils with ink from a spritzer or mister. What does work are stencils with ink pad. For this I used a Tim Holtz blending tool that you “load” with ink from a pad, then pounce over the stencil.

Paint. I am not much of a painter but there are artists out there who turned the humble tea bag into a tiny canvas for portraits. Here I have used acrylics, both [read more]

Altered Book Cover Angel

Altered book cover with handcut angel. Book is a French schoolbook, 1888. Beautiful girl postcard, 1902. Wings are from variety of vintage French papers, including handwritten letter from 1903. (Also, reproduction maps by 7Gypsies.)

 Measures 10 cm x 22 cm. All papers are original. These are not printed reproductions! It is wired for hanging, or the wire can be removed for framing. All of my pieces come with extra paper goodies. Cost is £55. Shipping worldwide is £5. You can use the PayPal button below for payment, even if you do not have a PayPal account.

[read more]

Illustrated Journal: France, Burgundy, and Churches

These sketches are from my illustrated journal is a recent trip to the Burgundy region of France. There are many hundreds of Romanesque churches, built between the 10th and 12th centuries. Before then, the area had been occupied and ruled over by Romans. Then they were gone but their architecture and design influence remained and were powerful influences in the creation of these churches. It was a time of crusades and pilgrimages, both of which brought travelers into tiny villages needing accommodation, food, and other practical provisions: these churches attracted these pilgrims and profited from their donations, as did the towns around them.

Hilaire Belloc, writing about his pilgrimage from France to Rome wrote of such places that: “In such shrines Mass is to be said but rarely, sometimes but once a year in a special commemoration. The rest of the time they stand empty, and some of the older or simpler, one might take for ruins. They mark everywhere some strong emotion of supplication, thanks, or reverence, and they anchor these wild places to their own past, making up in memories what they lack in multitudinous life.”

Click on an image to see a larger [read more]

Paper Art: Faux-Dyed Paper and “Mark Making”

I am deeply attracted to rust-dyed papers and enjoying reading about the technique. It usually seems to involve different combinations of tea, rusty stuff, paper bundles, and a cauldron, and I don’t have room for anything remotely that big, even in my studio, which is a scant 98 square feet and filled to the rafters with ephemera and tea cups. Recently, however, I found a method of dying papers that, while it lacks the eerie depth of mark-making with rust, it is pretty darn lovely; also simple and quick, which makes for near-instant gratification.

MATERIALS:

Ink (I use a variety of fountain pen inks and homemade walnut ink)

Medium to heavy weight paper or cardstock

Small sponge

A water mister

Ink, Sponge, and Mister

These pages are to be used for a sketchbook. Rather than cut them to size, I tore them, using a ruler as a straightedge. This torn edge is pretty as it mimics a deckled edge, and it absorbs the ink.

Tearing the Edges of Paper

Dip the sponge in the undiluted ink, then dab the edges of the page around all sides.

Now spray the page with the water using your mister/spritzer. Start with the edges, turning the page as you mist. When you [read more]

Altered Book Cover Angel

Having a lot of fun with these altered book angels made from old cabinet photos and handwritten papers. They are so flirty and sweet and strange.

Book cover, French school book 1916. Woman cut from French cabinet card (with fragment of handwriting), 1917. Fragment of French, handwritten letter, 1903. Handcut wings from a variety of vintage French papers, and sheet music.

Measures 10 cm x 22 cm. All papers are original. These are not printed reproductions! It is wired for hanging, or the wire can be removed for framing. All of my pieces come with extra paper goodies. Cost is £45. Shipping worldwide is £5. You can use the PayPal button below for payment, even if you do not have a PayPal [read more]

Altered Book Cover Mabel and Her Mystery Beau

Now that is a hair ribbon.

Collage on book cover. Book cover, 1878. Tintype of young man, circa 1860s. Cabinet photo with the handwritten name “Mabel,” circa 1900s. Swiss, handwritten envelope with stamps, 1902. Marbled end paper, 1848. Fragment, French encylopedia, 1878. Measures 17.25 cm x 25 cm.

All papers are original. These are not printed reproductions! It is wired for hanging, or the wire can be removed for framing. All of my pieces come with extra paper goodies. Cost is £65. Shipping worldwide is £5. You can use the PayPal button below for payment, even if you do not have a PayPal [read more]

Illustrated Journals: Drawing in Churches

There is almost nothing in the world I love doing more than drawing in churches. For me, keeping an illustrated journal is not about being the best at drawing or painting – I can’t hope to do anything like that. It is about creating a page that is part visual memory, part field guide. And by drawing in a church, or cloister, or crypt, I feel that I am capturing part of its soul as surely as primitive people believed that a photograph did the same to them.

  [read more]

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